Untitled
Illustration of Eija Vehka Ajo, by Antonio Lopez, Paris, 1974. Courtesy of the Estate of Antonio Lopez and Juan Ramos
Crystalline Forms Part 1 (2010)
Black Rain
Antonio Marras drawings for Collection Autumn-Winter 2008. copyright Antonio Marras/KENZO
White Noise Installation, Surge and Turn Through 90 Degrees (II) (1973-2008)
secret space
From "Infanta" (1961-2013)
Royal Ruin Ultramarine Umbilical Fiend Fallen Cobalt Core
Swamp
Conversations (9)
Untitled
Ojitos Dos Copia
Roses (1871)
Shadow Monsters
If You Look Outside (2011)
Untitled 2
Scene II (2004)
Eternal Springtime (modeled c. 1881; cast 1916-17)
Every Tree is the Tree of Life XI, (2012)
Rick Ross, Miami, Florida 2010, photo by Jonathan Mannion
to: Mikboos from: Jiggaboo
The Blood of a Poet
Twilight, (2011)
Man and Woman I (Lovers I), 1914
N.Y. September 11, 2001
L'Hippocampe / The Seahorse (1933)
Notes 5 (Wrestlers) (1971)
Fly Billboard (1996)
A Woman Reading (1869 & 1870)
L: US Vogue, Miami, 1993 R: Wolford, Monte Carlo, 1995
War
Les Amours de la Pieuvre / The Love Life of the Octopus (1967)
Excerpt from "Remember Be Here Now"
Untitled (2014)
two. its no use. moon.... dreadful and alone banal... isnt it? superficial - dont you think? i desire clearly break it!
Mount 15
Her Yardtalk
Unpacking My Library: A Talk About Book Collecting
Nothin' (Private Concert) (1988)
Who's Afraid of Virginia Woolf? (5)
Mirror (1921)
Advertisement 1939
Untitled (Soft Bed), 2011. Copyright Urs Fischer. Courtesy of the artist and Gagosian Gallery. Photography by Mats Nordman
Cover of "By or of Marcel Duchamp or Rrose Selavy" at the Pasadena Art Museum (1963)
Birth of the World (2009)
Swords for Charlemagne by Mario Pei
Cy Twombly, "Beyond (A System for Passing)"
Untitled (1992-3)
Color Plate 17 - "The Ancient of Days", Frontispiece, Europe_A Prophecy (1794), plate i. Copy K, ca. 1822.
The End is Nigh: Oil on Canvas etc., Master's Degree Show, Atelier Alberola, ENSBA, Paris, (2012)
Roman Bunka
Untitled
Smoke, (2010)
Split Vertical Vertex, Thomas Patti (1989)
A 17th century Italian settee and curtains in the south gallery leading to the master suite- photo by François Halard
Untitled (2014)
Henrietta Rae, The Sirens, 1903
