An Event About Which No More Need Be Said
Tales at the Dressing Table (1908)
Bitches Brew
Mickey Mouse & The Goodbye Man
Consumer Art (1972)
A Mining Archer, from the triptych "Of Womanhood", (2009)
Nakazora no.1174
Hakanai Fleeting Sea Sky Blue (2013)
Study for the Barclay-Vesey Telephone Building (1921 or 1922)
no bush, no stone, no person and no animal 3, (2012)
Chatsworth, Devonshire, England (1995)
Agot Dance Group, Etikpe Village, Cross River, Nigeria
Sphere 005
Semina No 4 Cover with Wife (photograph of Shirley Berman) (1959)
Songs for Schizoid Siblings
Hand-printed in Italy at the Ratti facilities, Grand Tableau Chinois design -Photo by François Halard
Wreath (2010)
Rancho Santa Fe, California. Master bedroom with Jean-Michel Frank chair and lamp- photo by François Halard
Poor Boy
Sassy
No More War, (1970)
Untitled/You Are Fire
Kohl jar, Middle Kingdom-Early New Kingdom, Second Intermediate Period (ca. 1700-1550 B.C.)
Spinning Top 3, 2012
Excerpt from Gagarin, Fifth Edition
Fall 1
Love Poems (72)
La Lupa
Matta '85 (1)
Yukio Mishima
Got A Head Full of Lightning (2010)
Dreams and Nightmares of the Queen
Beastie Boys and Madonna, New York, June 1985, photo by Ron Galella
Songs for Schizoid Siblings
Untitled (1969)
Rhythm 21
Splendor in the Grass (3)
Mother of This Domain (2015)
Words are dying
Vanity Flare
A Ray Array -Video Installation View, (2012). Video and custom seating from the exhibition Sarah Rara and Mauricio Ancalmo "Not a Particle or a Place but an Action" at James Cohan Gallery
PixCell Tiger
Juliette Binoche as "Anna" in MAUVAIS SANG
Big Love
Hollywood Elegies (Translated by Adam Kirsch)
L.A. (E.P.), 2004
Excerpt from "Worried Noodles (The Empty Sleeve)", published by Tomlab in 2005.
Isadora Duncan
American artist William Crowder, New York, July 2012: When Conrad visited me in 2006, he passionately talked about Rinus Van de Velde over a few gin tonics, his favourite drink. ‘Rinus doesn’t get inspired,’ he told me, ‘he consciously and systematically looks for inspiration himself. Or for good images, as he likes to call them, whatever that means. When he walks the street, he fantasizes about other people’s apartments. He also has a thing for corners, hedges, passageways, gates etcetera: anything that promises something just out of sight, something new. Sometimes he jumps over fences and walls at night, just to discover what he doesn’t know yet. And of course he got chased by dogs, farmers, the police more than once. My guess is that he secretly wants to be everywhere at the same time, that he literally desires to find himself in everything he sees. Or to put it differently: he wants to be all the names in the history of mankind. So whenever he sees a blind spot, he jumps blindly into it.’ ‘Strange’, I answered. ‘I hardly ever saw him outside his studio or an opening, and I always thought him to be the opposite of adventurous.’ (2012) Courtesy Patrick Painter Inc.
On a Saturday Afternoon, by Aimee Bender
Untitled (Charm 5) (2014)
Noon Concert
The Shadow
Unnamed Sound Sculpture
UNSEEN_18
Instant Love, by Jami Attenberg
Spiraling (The Blood of a Poet) No.9 (2006)
